Hand-made film

Films made by working the film strip by hand: painting, scratching, collaging or processing it yourself.

Technique · One filmmaker in the guide

Instead of treating film as a window, hand-made filmmakers treat it as a surface. Stan Brakhage made Mothlight with no camera at all, pressing moth wings and leaves between strips of clear tape, and spent much of his later career painting directly onto the frames.

The approach overlaps with direct animation, which goes back to Len Lye and Norman McLaren in the 1930s. It lives on in artist-run film labs, where filmmakers develop and tint their own film.

Films to start with

In the order they were made. Runtimes are approximate.

  1. A still from Mothlight.

    Mothlight

    Stan Brakhage · 1963 · 4 min · 16mm, colour, silent

    No camera. Moth wings, petals, leaves and seeds pressed between strips of clear tape and run through a printer, flickering past like something trying to reach the light.

Where it led

Lines from these films into work you may already know.

Nearby

Movements, forms and techniques that share filmmakers or methods with this one.

Every movement, form and technique